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《哪吒2：魔童鬧海》是4000CG人嘔心瀝血的佳作

脑洞君作者：腦洞君 发布时间： 2025-09-28 09:37:11 浏覽量：597次

《哪吒2：魔童鬧海》的故事緊接著天劫之後展開，哪吒和敖丙的靈魂雖然得以保留，但仍命懸一線，面臨魂飛魄散的危險境地。

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爲了拯救他們，太乙真人決定使用七色寶蓮爲二人重塑肉身，然而，在重塑的過程中，他們遭遇了重重困難和挑戰。此時，申公豹趁機釋放了被囚禁的四海龍王，導致陳塘關面臨前所未有的災難。哪吒挺身而出，誓死保衛陳塘關，與四海龍王展開了激烈的戰鬥，他的命運也因此變得更加撲朔迷離。

作爲《哪吒之魔童降世》這部50億票房奇迹的續集，《哪吒2》繼續保持著超高的制作水准。上映僅僅兩天，總票房就突破了11億，穩穩占據了春節檔的冠軍寶座，並且刷新了中國影史動畫電影單日票房的紀錄。

網絡上幾乎聽不到差評，首映當天，貓眼給出了9.7的高分，淘票票也有9.8的評分，微博推薦度更是高達99%，豆瓣評分也達到了8.6，超過80%的觀衆都給出了四星以上的好評。

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《哪吒之魔童鬧海》的創意其實源于《哪吒之魔童降世》中埋下的一個“四海龍王”的彩蛋。雖然制作團隊一開始就計劃打造一個系列故事，但《哪吒之魔童鬧海》的真正籌備工作，實際上是在首部作品上映後才正式開始的。

這部電影的成功，離不開成都本地完整的動畫制作産業鏈的支持。導演餃子和制作團隊在首部電影上映後，深入探討了如何延續和發展這個故事，最終通過《哪吒之魔童降世》結尾的彩蛋，爲續集埋下了伏筆，巧妙地將兩部電影連接在了一起。

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《哪吒之魔童鬧海》不僅在劇情上引人入勝，還巧妙地融入了地方特色元素，比如火鍋、四川普通話以及三星堆文化符號，使得影片既具有國際視野，又不失地域色彩。

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玉虛宮的設計尤爲驚豔，采用了純白如玉的色調，結合潑墨山水畫的暈染效果，同時又不失雕梁畫棟的精細，完美诠釋了“高處不勝寒”的意境，展現出了中式美學的獨特魅力。

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在角色設計方面，制作團隊幾乎是重新打造了一遍主角們。他們細膩地刻畫了皮膚上的絨毛、敖丙服飾上的刺繡等細節，這些精致的紋樣彰顯出低調的奢華與典雅。敖欽角色的短脖子和茂密毛發的設計，以及哪吒腰帶上獨特的紋路，都充分展示了制作團隊的匠心獨運，爲觀衆呈現了一場誠意滿滿的視覺盛宴。

此外，不知道大家有沒有注意到影片中暗藏的“西遊”元素。龍宮被設計爲了三層結構，而鎮壓敖丙一家的法寶正是孫悟空後來所使用的如意金箍棒，也就是定海神針。當孫悟空取走定海神針後，敖丙一家得以逃脫，從而引發了後續的大戰。

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除了這些小巧思外，《哪吒之魔童鬧海》不僅在台前表現出色，幕後同樣精彩紛呈。與前作相比，《哪吒之魔童鬧海》在制作上進行了全面升級，制作規模是前作的2到3倍，整個制作過程充滿了熱血和挑戰。這部電影耗時五年半，參與人數超過4000人，總鏡頭數達到了2427個，其中特效鏡頭就有1948個。

影片中還增加了大規模群體對抗場景和超大場景的展示，即使是一些在第一部中作爲重要視覺奇觀呈現的場景，在第二部中可能只作爲普通的過場動畫出現，但其細節程度卻遠遠超過了前作。

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導演餃子一直強調對作品質量的追求，他力求爲觀衆提供一種史詩級別的震撼視覺體驗。在《哪吒之魔童鬧海》中，制作團隊將視效難度分爲了S、A、B、C、D五個等級，即便是《哪吒之魔童降世》中的經典場景“火蓮花”，在第二部中也僅僅被排在了B等級。

導演和制作團隊對細節的嚴謹態度貫穿了整個制作流程。他們精益求精，制作標准無上限，正是這種態度打造了一個又一個令人震撼的名場面。

陳塘關大戰的美術概念設計，團隊傾注了半年的時間，經過無數次的打磨和調整，才最終確定了方案。

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僅僅是爲了陳塘關中一分鍾的打戲分鏡，畫師們就花費了半年的時間。他們費盡心思地設計著：手拿六把劍的章魚怪該如何與只有一把劍的李靖對打，又如何展現出它最終不敵李靖的場景。整個過程充滿了挑戰和思索。

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而另一個讓團隊頭疼的環節就是特效的制作。這牽扯到多個環節和領域的協同合作，從角色動畫資産的綁定、燈光到美術，都需要團隊的共同參與，才能呈現出最終的視覺效果。由于涉及的鏡頭數量龐大，很多鏡頭的效果連導演都難以用語言來形容，這就需要團隊一起一點點地進行嘗試和探索。

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每一個打鬥場景都堪稱史詩級別，導演餃子更是重新定義了“神仙打架”的概念。其中，海底妖獸對戰神仙捕妖隊的場景靈感來源于飛行的鳥群。因爲交戰雙方都是能夠在空中自由移動和作戰的部隊，所以戰鬥場景被設定爲不僅僅發生在地面上，而是擴展到了三維空間，形成了類似“立體洪流”的壯觀狀態，爲觀衆帶來了前所未有的震撼視覺體驗。


電影中的穿心咒，其靈感來源于剔骨削肉的痛苦，它象征著哪吒從肉身的束縛中浴火重生，以及精神上的鳳凰涅槃。


僅僅是那短短十秒的穿心咒畫面，團隊就花費了整整一年的時間來精心制作。而讓人意想不到的是，這個創意的靈感竟然來源于漁線。

爲了呈現出真實的撕裂感，團隊成員親自上陣做實驗，最終發現用漁線來表達這種效果最爲貼切。他們先是通過繪畫勾勒出初步的形態，然後手動關鍵幀（手K）動畫，再加上特效，一遍遍地叠代和優化，最終得到了大家最爲滿意的視覺效果。

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導演希望觀衆在看到穿心咒畫面的第一眼，就能感受到強烈的疼痛感，仿佛能看到一根根刺穿透皮膚，從體內刺出。團隊追求的是類似玻璃碎片般的透明而鋒利的視覺效果。


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爲此，團隊總共制作了上千根刺，每一根刺的軌迹都是獨一無二的，都擁有獨立的控制器來精確控制其運動。同時，爲了更貼近真實效果，團隊還手動關鍵幀了600多塊割破的碎肉，並爲每塊碎肉開發了專門的綁定器來控制其運動軌迹。



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通過手動關鍵幀動畫、傳統動畫以及特效的多種方式結合，畫面清晰地展現了穿心咒在身體上割裂的整個過程。最終呈現出來的畫面代入感極強，身體碎片的細節處理得細膩逼真，讓觀衆隔著屏幕都能感受到角色所承受的巨大痛苦以及犧牲自我的決心。

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在《哪吒之魔童鬧海》中，這種高度精細的表現手法比比皆是，它們加強了整個故事的情感表達，讓角色變得更加立體和鮮活。角色的經曆和情感變化也因此更具說服力和感染力。

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五年磨一劍，這部國産動畫作品確實展現出了令人矚目的崛起之勢。

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"Oh! And where is the battery?" Then there was the voice of Balmayne in a key of mirth. The front door was opened, the call of a cab whistle thrilled down the street. It was almost as if there were two sets of people in the house, one family given over to the dark and gloomy, the other all comedy and smiles. "I should like a fresh handkerchief, Hetty," she said. "Would you mind?" Such are the closing words of what was possibly Aristotle’s last work, the clear confession of his monotheistic creed. A monotheistic creed, we have said, but one so unlike all other religions, that its nature has been continually misunderstood. While some have found in it a theology like that of the Jews or of Plato or of modern Europe, others have resolved it into a vague pantheism. Among the latter we are surprised to find Sir A. Grant, a writer to whom the Aristotelian texts must be perfectly familiar both in spirit and in letter. 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